While flying back from South Africa the other day (more on my SA trip another day), I got to sit next to a professional DJ. My knowledge of house and trance music would fill the back of a postage stamp in a big font, but we had an interesting chat about Emerson Lake and Palmer,
as well as Yello, Depeche Mode, Kraftwerk and role of computers in modern music. Marc plays in some of the world’s top clubs, such as 1015 (on Folsom) the Redwood room in San Francisco, and Tresor in Berlin I was expecting him to have lots of specialized equipment and software, but his set up is remarkably simple and cheap.
2 x macbook pros.
i-pod for planning sets.
pioneer HDJ headphones.
Apparently the really cool bit on these headphones is the swivel bit.
Total Control mixer, cost less than 600 dollars.
Beatport is an excellent source of trance and other electronic music.
On the software side, he uses traktor. more details here. and Ableton.live
It was fascinating to talk about how the music business works with someone making a good living out of it. We talked about copyright, sampling, remixing, how you read the crowd, the importance of preparation, and life as a DJ after 15 years…
And then over on the BBC website this morning I read about the Ferranti Mark 1 computer and the birth of computer music.
A scratchy recording of Baa Baa Black Sheep and a truncated version of In the Mood are thought to be the oldest known recordings of computer generated music.
The songs were captured by the BBC in the Autumn of 1951 during a visit to the University of Manchester.
The recording has been unveiled as part of the 60th Anniversary of “Baby”, the forerunner of all modern computers.
The tunes were played on a Ferranti Mark 1 computer, a commercial version of the Baby Machine.
You can listen to the recording here.
Things have come a long way since then.