Closing a social transaction. Musings on e-commerce and copyright.

A couple of days ago via Microsoft’s arbiter of all things cool,  Steve Clayton,  I saw this poster

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(If you like it, buy it too).

The poster has gone viral, no doubt bringing a wry but slightly painful smile to anyone filling in travel expenses or CRM system screens, or thinking about tidying the garage.

Within  a couple of  clicks I was able to contact  the artist, Brad Rose, and via the collective art website, Big Cartel, order and pay for the print.  It will be gracing my office wall  some unspecified time in the future when I get around to having it framed.  

 The Internet and social media allow me to discover what I think is cool art, interact with the artist and buy their stuff. The world of art and crafts is being fundamentally reshaped by the Internet and social media.  I can very easily find stuff I like,  appreciate who and how it is made, and perhaps buy their product.  It would have been easy to just print out the poster without buying it, but I quite like the idea of paying the creator for the the grin that this will bring to people’s face when they visit my office.  I don’t need the threat of copyright infringement to know this. Discover, engage, and own.

 In a rather weird circular way, I first got into buying poster art online with Hugh, of gapingvoid fame, a close friend of Steve. 

BTW Brad’s site is a fascinating tour of typography. One day I might actually try and learn something about typography. It will be an ideal weapon to use against wine bores at dinner parties.

 similar post on my Gartner blog.

 

 

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On constraints. Marcuse, Bach and Scriabin.

This time of the year tends to be a time of excess.

The people recognize themselves in their commodities; they find their soul in their automobile, hi-fi set, split-level home, kitchen equipment.

This is a quote from Herbert Marcuse, a German philosopher.  I rather like it, but I’ve never really been comfortable with the term “the people.”  After all, the same affliction affects me too. This is a first person issue, other than the kitchen equipment:  I’m with the Hitch, but there is a part of me that really likes stuff.

Here is my newly discovered antidote; two piano pieces.  The first one, by Bach, I have known for some time.  Here is James Rhodes’ version.

The other, I discovered via the serendipity that is the side bar in YouTube. I’d not heard of either Scriabin or Filjak til this evening.

A Nocturne by  Scriabin,  played by  Martina Filjak.

Both pieces are just for the left hand.  Sometimes less is more.  

Seattle, Stuttgart and the Parlotones.

A couple of weeks ago I was in Seattle for a series of work meetings, and by happy coincidence, a South African band, the Parlotones were in town.  They fill stadiums in SA, so seeing them in a smaller venue was an opportunity not to be missed.  Here they are at the World Cup opening ceremony.

I pinged my mate Mark, and we headed out to the Showbox SoDo.  Not only was this a smaller venue, but they were warm up band for Blue October.

If a South African band plays anywhere, the Diaspora emerges. Seattle was no different. There was a small but raucous SA crowd mingled in with the Seattlean, who were keen for Blue October (who are indeed good too).

The Parlotones played a short set, mainly from the current album, but by the end they had converted the Seattle audience into fans.  They rocked.  I predict that they will have a number one on the US charts before very long. 

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The band is now a firm favourite of mine. Their music is very tight, tinges  of OMD and The Killers,  REM,  Radiohead, maybe a faint whiff  of  The Cure too,  but somehow their own.  The lyrics are often clever, and  some of them quite dark.  Welcome to the Weekend, in particular,  strikes home, but this line from “Should We Fight back?” is well and truly stuck in my head.

Sip it slowly sweetness sometimes tempts us into the silly
Choked by cherry chocolate charm in a chariot of phony

I’m going to be seeing them again, this time in Stuttgart, this Saturday. As they are main act, I’m hoping they will have a longer set, and will dip into their older albums too.  As per Seattle, there will be Diaspora contingent.  We will be loud, louder than bombs.

Ngiyabonga kakhulu Johnny Clegg

Copper sun sinking low
Scatterlings and fugitives
Hooded eyes and weary brows
Seek refuge in the night

I remember sitting around a campfire in the Umzimkulu valley about 30 years ago. I was in my first year of high school, and we were doing a kayak race, the Umzimkulu marathon. It was a clear African night, the Southern Cross bright and clear.  The older boys told tales of massive rapids and huge drops, and we cooked a sort of  breadlike substance  on the fire.  We were miles from any town or city.

The batteries on the cassette deck weren’t fresh, and the tape copy neither but Johnny Clegg’s music has been special to me ever since.

I saw his band (then called  Savuka) live at university. It it was 1986-7. He intertwined great music with a strong and clear political message. Asimbonanga. He rocked the Student’s Union, and changed the mindset of thousands.  South Africa’s political change owes much to Johnny Clegg.

Last night, with mates Phillip and Dean, I got see him live in Mainz.  The venue was packed and the audience a mix of Germans and a rather more rowdy South African Diaspora.

Johnny and his band gave it all, and the place rocked.  The band played hit after hit. His band were excellent, several of the members have been with him for decades. Johnny didn’t jump quite as high as he used to do (Guka ’mzimba), but his stage presence remains impressive, and the music is timeless.

Here he is with Juluka, back in the 1980’s

Thanks Johnny, for 30 years of great music and a fabulous evening.

Most of his albums are on itunes and emusic.  I downloaded an album that don’t have in my collection this morning, Ubuhle Bemvelo.